February 8, 2012

My Experience with August Wilson

"This is where I was when I wrote it, and I have to move on now to something else."
-- August Wilson


August Wilson Monologue Competition Boston Finalists

This past Saturday, student representatives from nine Boston Public Schools took to the Boston University Theatre stage for the second annual August Wilson Monologue Competition. There were monologue performances from Ma Rainey’s Black Bottom, Fences, and The Piano Lesson. After it was all said and done, the nine competitors stood center stage nervously anticipating the announcement of the 3 winners that will travel to New York to compete in the national finals on the August Wilson stage on Broadway! Tyrel Joseph, from Codman Academy won the competition with his fabulous portrayal of Boy Willie, from The Piano Lesson. Coming in, as the First Runner Up was Halima Ibrahim, from Snowden International School at Copley and the Second Runner Up was Reanna Johnson, from Dorchester Academy, with their portrayals of Levee, from Ma Rainey’s Black Bottom. All three will be moving on to the national finals in New York City. During their New York visit, they will also attend theatre performances, talkbacks, and workshops with theatre professionals.

Created by Kenny Leon’s True Colors Theatre Company (some may remember Kenny Leon as the Huntington Theatre Company director of Fences and Stick Fly, which recently opened on Broadway), the August Wilson Monologue Competition involves high school students in city schools from all around the US: Atlanta, Chicago, Los Angeles, New York, Pittsburgh, Seattle, and Boston. This year marks the second year the Huntington’s Education Department has facilitated the in-class collaboration and the final competition in Boston Public Schools. This year’s schools were Another Course to College, Boston Adult Technical Academy, Brighton High School, Codman Academy Charter Public School, Dorchester Academy, Edward M. Kennedy Academy for Health Careers, English High School, Fenway High School, and Snowden International School at Copley.

Although I normally serve as the Huntington’s Marketing Professional Intern, I recently participated as a teaching artist for this competition in Brighton High School. This experience has been one of the highlights of my post-undergraduate career. I visited Brighton High School’s 10th Grade Honors English Class eight times to introduce the students to August Wilson and his plays, focusing on his play, The Piano Lesson. I provided script analysis, character development and acting coaching for 20 students and their selected monologues. Many of my students were taken by Berniece’s strong persona, Boy Willie’s antics, and Wining Boy’s comical disposition. We held an in-school competition to determine the student who would represent Brighton High School at the Boston Finals. Let me say that my students made it very challenging to pick a finalist! Chevaun Richards was the chosen winner. He was among some of the best of the best of Boston Public School’s talent. As an audience favorite, he definitely gave the contestants and the judges a run for their money.

Regardless of the final decision, the August Wilson Monologue Competition gave Chevaun, his classmates and all the students who participated in all nine Boston Public Schools a rare opportunity to delve into the world of theatre and the works of one of the most influential American contemporary playwrights. Being asked to memorize, act and speak in front of an audience is unheard of for some of these students. The experience alone is one that will stick with them for many years to come.

January 17, 2012

You say, "clafoutis..."

A savvy, French-speaking patron wrote to us with the following question:

Just saw God of Carnage and was really bugged by a small detail. Why did the cast all mispronounce "clafoutis? Surely members of the aspirational class would know to put the accent on the last (NOT the second) syllable. Was this done intentionally to make them seem ignorant?


Brooks Ashmanskas enjoys
clafoutis in God of Carnage.
Photo: T. Charles Erickson
We turned to Charles Haugland (Artistic Programs and Dramaturgy), who often has the inside scoop on these sorts of decisions -- ones that are made in the rehearsal room by the director and actors as part of their process. He tells us:

[Director Daniel Goldstein] and the cast had a conversation about the pronunciation of "clafoutis" on the first day; they knew the "correct" French pronunciation, but had also heard the one they opted to use more often and casually in New York.

They decided it would be fussy to say it in perfect French, and to their mind, the pronunciation is not inaccurate so much as intentionally Americanized.


Of course, whether they should be eating clafoutis at all is a question, too. (Daniel questions translator Christopher Hampton's choice to leave clafoutis in the script when me moved the action from Paris to Brooklyn). Indeed in the movie, still set in Brooklyn but written by Yasmina Reza with director Polanski, they eat pear and apple cobbler, instead.

The Huntington Theatre Company's production of God of Carnage plays now through February 5, 2012 only at the B.U. Theatre. Get tickets and information or call our Box Office at 617 266 0800.




What Audiences Are Saying About GOD OF CARNAGE


Have you seen God of Carnage? Please share your comments with us.


  • What do you think happens after the curtain goes down? Do the Raleighs bring their their son to apologize to the Novaks'? What happens next between the adults?
  • Playwright Yasmina Reza weaves many symbols into her script, and scenic designer Dane Laffrey teases some of them out through his design. What symbols and scenic elements held meaning for you?
  • Did you attend a post-show conversation? What comments surprised you or made you think differently about the play? Would you attend a post-show conversation again? What were you thinking about on the way home from the theatre?

The Huntington Theatre Company's presentation of God of Carnage plays now through February 5, 2012 only at the B.U. Theatre. Get tickets and information or call our Box Office at 617 266 0800.

December 30, 2011

Huntington Theatre Company tops honors lists for 2011

As 2011 comes to a close, we're thrilled and honored to see Huntington productions staged here and elsewhere recognized:

The Boston Globe - Don Aucoin
#1: Ruined
#2: Candide
#5: Richard III

The Boston Phoenix - Carolyn Clay
#2: Candide
"Obie-winning director Mary Zimmerman returned to Voltaire's 1759 novella to devise a new book for the Leonard Bernstein satiric operetta based on Candide. The result was a witty and imaginative production with shape as well as irony that fielded, in Lauren Molina, a daffily narcissistic Cunégonde glittering and being gay in a bathtub."


Zainab Jah, Carla Duren, and Pascale
Armand in Ruined. Photo: Kevin Berne
 #3: Ruined
"Even if it did not ride piggyback on the mighty shoulders of Bertolt Brecht, Lynn Nottage's 2009 Pulitzer winner, Ruined, would stand tall. Inspired by Mother Courage and set amid civil conflict in the Democratic Republic of Congo, the play vividly depicts the way in which women's bodies serve as battlefields in war. Liesl Tommy's production for the Huntington Theatre Company was exotic, chaotic, and controlled, with an earthy, steely turn by Tonye Patano as equal-opportunity profiteer Mama Nadi."